As part of the 100th anniversary of the Russian Revolution this major exhibition, Russian Revolution: Hope, Tragedy, Myths, will shine new light on the unprecedented and world-changing events of the period, focusing on the experiences of ordinary Russians living through extraordinary times.
The exhibition begins in the reign of the last Tsar and explore the growth of revolutionary movements, which brought about the transformation of Russia’s traditional monarchy into the world’s first Communist state as well as colossal social and political change. Key figures such as Tsar Nicholas II and revolutionary leaders including Vladimir Lenin will be examined along with the political events of the period.
The exhibition tells the incredible story of the Revolution through posters, letters, photographs, banners, weapons, items of uniform, recordings and film: from a luxury souvenir album of the Tsar’s coronation to propaganda wallpaper hand-painted by women factory workers, this exhibition will unite the personal and the political, bringing to life the hope, the tragedy, and the myths at the heart of this seismic Revolution.
Glorious Years: French Calendars from Louis XIV to the Revolution
Until 29 October 2017, Wed-Sun, Waddesdon Manor
A celebration of the power of the printed image before photography, Glorious Years is an exhibition of 26 rare French calendars, never before seen on public display. This exhibition charts the evolution of these calendars (originally named ‘almanacs’) from their golden period under Louis XIV, through to the Revolution, when time itself was re-invented.
Published in Paris in the 17th and 18th centuries, these striking prints featured major events, from royal weddings and births to victorious battles and peace treaties. At a time when the printed image was the most effective communicator, calendars were designed to both educate and delight. Glorious Years will examine how and why these prints were made and their role in propaganda, revealing much about the social, political and artistic world of the Old Regime.
As well as large single-sheet printed calendars, a number of bound pocketbook almanacs will also be on display. These small volumes were popular in the late 18th century, varying hugely in content. Ranging from official directories, listing members of the royal households, schedules for the postal service and carriage travel; to collections of songs, poems and illustrations. Some even included erasable paper for notetaking and recording gambling-related gains and losses. Not unlike modern-day smart phones, these conveniently sized pocketbooks were portable and perfectly suited to inform, distract and amuse.
Despite their popularity, these calendars have not survived in great numbers, making Waddesdon’s collection unique in the UK. Baron Ferdinand de Rothschild (1839-1898) was fascinated by social history and collected these calendars alongside other printed ephemera, such as trade cards and lottery tickets. The calendars on display have been conserved, remounted and digitised. They will be available to browse on the website.
The Londoners: Portraits of a Working City, c1447 to 1980
Until 5 July 2017
This free exhibition, at London Metropolitan Archives(LMA), comes face to face with London's past.
Hundreds of thousands of faces - images of born Londoners and more transient visitors - are preserved forever in the LMA collections.
From Lord Mayors to chimney sweeps, waitresses to wrestlers, London has increasingly been a magnet for those looking for work. Some jobs appear strangely familiar, miraculously little changed across more than five centuries, while others are more or less a mystery to all except their practitioners.
Images of working Londoners capture the strangeness and the familiarity, the toil, flair and sheer vitality of work in London.
Winners, losers, the famous or the forgotten, countless Londoners have been recorded as they went about their daily work in the capital. From fifteenth century drawings to colour photographs, the archive brings them all together and presents them as the history of our capital city.
The Fan Museum begins the year with a sumptuous display of fans decorated with biblical subjects. Fittingly, the opening segment of the exhibition features folding fans painted with the story of Adam & Eve; juxtaposing an eighteenth century design with the work of a contemporary fan painter illustrates how stories from the bible have fascinated artists throughout history.
The display of over eighty fans touches upon many of the bible’s significant episodes and includes interpretations of the Finding of Moses, Abraham sacrificing Isaac and The Visitation.
Eighteenth century fans feature prominently within the display and show fan painters reinterpreting master paintings and widely circulated engravings by Rubens and others to fit the fan format. At a time when art reflected social and cultural mores, fans decorated with episodes from the bible encompass spiritualty, enlightenment and other worldly concerns which remain relevant to modern society.
IWM North, part of Imperial War Museums in Manchester, presents this major exhibition marking the 75th anniversary of clothes rationing in Britain.
During the Second World War British men and women had to find new ways to dress as austerity measures and the rationing of clothes took hold. They demonstrated amazing adaptability and ingenuity
by adopting more casual styles and by renovating, recycling and creating their own clothes.
Bringing together 300 exhibits including clothing, accessories, photographs and film, official documents and
publications, artworks, wartime letters, interviews and ephemera, some of which have never been on display before, Fashion on the Ration presents a sense of what life was like on the home front for
men and women during wartime Britain.
This exhibition explores the many, often surprising, aspects of Queen Victoria’s character: devoted wife, dedicated mother, devastated widow and powerful stateswoman.
Follow Victoria’s story from the room in which she spent her first moments as queen. Trace her journey from young girl to queen enthralled with a new husband, to grieving matriarch and ruler of a vast empire.
Included in the exhibition are iconic, impressive, beautiful and often deeply personal objects, from Victoria’s simple white silk wedding gown, to the dolls she made, dressed and named as a little girl.
Victoria and the people who surrounded her tell this story: excerpts from her journals, letters and reports from contemporary commentators give insight into the extraordinary life of the woman whose name defined an age.