This exhibition explores Valentine Day's history and how love messages have taken a variety of forms - from the sweet and romantic to the satirical and outrageous.
Called 'Be My…', a twist on the traditional 'be my valentine'.
It is an interactive title, inviting people to fill in the '…' of the 'Be My'. The display will consider Valentine Day's history and the different contexts and customs and social and cultural attitudes regarding proclamations of love.
Importantly the exhibition will focus upon key examples of Valentine's cards from the Priest House Museum's unique collection of Victorian Valentine cards - a collection of cards that 'has been identified to be of national importance'.
This fun, informative and intriguing exhibition will showcase an array of wonderful historical Valentine designs and it will explore wider associative items and experiences that evidence how love messages have taken a variety of forms.
The exhibition is a creative collaborative project involving students and staff from the Arts University Bournemouth (AUB) working with the Priest's House Museum and has been designed and co-curated by students and staff from AUB BA(Hons) degree courses in Interior Architectural Design, Graphic Design and Costume and Performance Design.
The Fan Museum begins the year with a sumptuous display of fans decorated with biblical subjects. Fittingly, the opening segment of the exhibition features folding fans painted with the story of Adam & Eve; juxtaposing an eighteenth century design with the work of a contemporary fan painter illustrates how stories from the bible have fascinated artists throughout history.
The display of over eighty fans touches upon many of the bible’s significant episodes and includes interpretations of the Finding of Moses, Abraham sacrificing Isaac and The Visitation.
Eighteenth century fans feature prominently within the display and show fan painters reinterpreting master paintings and widely circulated engravings by Rubens and others to fit the fan format. At a time when art reflected social and cultural mores, fans decorated with episodes from the bible encompass spiritualty, enlightenment and other worldly concerns which remain relevant to modern society.
A new exhibition celebrating 250 years of the jigsaw puzzle, the largest of its kind ever shown, will open at The Museum of Brands, Packaging and Advertising.
The jigsaws in the exhibition reflect the social history of Britain over the past 250 years, celebrating royal occasions and exhibitions, new forms of transport and technology, wars and battles, film stars and radio personalities, television programmes and pop stars. The exhibition features 250 jigsaws dating back to 1766 when the earliest ‘dissected puzzles’ (as they were known) - were made by mapmakers as educational aids for children of the upper classes.
Initially, jigsaw puzzles were hand made from wood and only the rich could afford them. It was during the early 20th century that cardboard jigsaws were introduced making them more affordable. As there was rationing of card in the Second World War jigsaws became smaller and the card thinner, but they were seen as moral boosters for the nation.
When in the early 20th century the more economic cardboard jigsaw began to take over from wooden ones, it wasn’t long before promotional examples made their appearance amongst an increasing variety of advertising gimmicks. A further hundred examples of this marketing medium are also on display.
Image: Grocer's Shop teaching jigsaw - "Teaches spelling of many household words"
Until March 2017
The Oxford English Dictionary defines radical as ‘advocating thorough and far-reaching political or social reform… characterized by independence of or departure from what is usual or traditional’.
In Great Britain, the word has the further association with the late eighteenth - and early nineteenth-century’s Liberal Party’s stance on reform of society and Parliament.
The collections of Senate House Library include collections of those who defined themselves as radical in the specific late eighteenth- and early nineteenth-century British sense, as well as those who more generally advocated for societal improvements through reform. Senate House Library has organically developed into a hub for collections of radical voices of the nineteenth and twentieth centuries.
The collections not only sheds light on enormously influential but subsequently neglected figures, campaigns and organisations, but also on the University’s own institutional history, and potential futures.
More details about this free exhibition and associated events.
Performing pigs, magic tricks and pantomime! Roll up to celebrate some of the most popular entertainments of Victorian times performed in a variety of venues from fairground tents to musical stages.
Focusing on five colourful characters, follow their stories as this free exhibition bring the worlds they inhabited to life. These Victorian A-listers include Dan Leno, the original pantomime dame and ‘funniest man on earth’, John Nevil Maskelyne, magician and manager of ‘England’s Home of Mystery’, and the great circus showman ‘Lord’ George Sanger. Also hear of those whose fame has now faded such as Annie De Montford, a mill worker turned mesmerist, and Evanion the Royal conjuror.
Step back in time with wonderfully decorative original posters, handbills, advertisements and tickets – all glorious examples of rare ephemera – alongside contemporary film and sound recordings. Explore the Victorians’ influence on the world of entertainment today.
Are you a Scrabble Champion? A wannabee Chess grandmaster? Or a Monopoly megalomaniac? Game Plan: Board Games Rediscovered will celebrate the joy, excitement and occasional frustration of playing board games.
This exhibition includes some of the most iconic, enthralling and visually striking games from the V&A’s outstanding national collection of board games. Alongside current family favourites such as Cluedo and Trivial Pursuit, and traditional games like chess, the exhibition will look at historical board games including The Game of the Goose and other beautifully designed games from the 18th and 19th centuries.
Board games are played by everyone, young and old. They have a universal appeal that transcends cultural and language barriers. They can both teach and entertain us. The playing of board games is embedded into our culture, not just the games themselves but the act of playing, the interaction with family and friends, the lessons to be learned and the fun to be had.
The exhibition will include more than 100 objects, featuring games from around the world, and explores the important role of design. Throughout the exhibition, selected games of special interest are highlighted with more detailed information on their history and influence.
You Say You Want a Revolution? Records and Rebels 1966-1970
Until 26 February 2017
How have the finished and unfinished revolutions of the late 1960s changed the way we live today and think about the future?
This major exhibition, at the Victoria and Albert Museum will explore the era-defining significance and impact of the late 1960s, expressed through some of the greatest music and performances of the 20th century alongside fashion, film, design and political activism.
Image: The International Times - underground newspaper founded in London in 1966.
London's Baking! Bakers, Cakes, Bread and Puddings from 1666
Until 1 February 2017
Taking its inspiration from Thomas Farriner and his bakery, the starting place of the Great Fire, this exhibition tells the story of London’s bakers and their cakes, bread and puddings from 1666 to the twentieth century. Discover recipes (to take away and bake!) for almond cakes from 1700, suet puddings from 1850 and questionable school dinner chocolate sponge traybakes from the 1970s.
The photographs, films and historical documents on display include the recently uncovered plan which shows that Farriner's bakery was actually located in Monument Street, not the infamous Pudding Lane!
The wonderful collection of J. Lyons and Co, presenting the 'experience' of afternoon tea at one of their grand Corner Houses, features alongside images of the original eighteenth century Chelsea 'Bun House' and much more besides.
In the age of the mobile phone, the camera as a stand-alone device is disappearing from sight. Yet generations of photographers have captured the tools of their trade, sometimes inadvertantly as reflections or shadows, and sometimes as objects in their own right.
Every photograph in this display features at least one camera. From formal portraits to casual snapshots, still-lifes to collages, they appear as reflections or shadows, and sometimes as objects in their own right.
Throughout the history of photography the camera has often made an appearance in its own image, from the glint of Eugène Atget’s camera in a Parisian shop window from the 1900s, to the camera that serves as an eye in Calum Colvin’s 1980s photograph of a painted assemblage of objects.
IWM North, part of Imperial War Museums in Manchester, presents this major exhibition marking the 75th anniversary of clothes rationing in Britain.
During the Second World War British men and women had to find new ways to dress as austerity measures and the rationing of clothes took hold. They demonstrated amazing adaptability and ingenuity
by adopting more casual styles and by renovating, recycling and creating their own clothes.
Bringing together 300 exhibits including clothing, accessories, photographs and film, official documents and
publications, artworks, wartime letters, interviews and ephemera, some of which have never been on display before, Fashion on the Ration presents a sense of what life was like on the home front for
men and women during wartime Britain.
This exhibition explores the many, often surprising, aspects of Queen Victoria’s character: devoted wife, dedicated mother, devastated widow and powerful stateswoman.
Follow Victoria’s story from the room in which she spent her first moments as queen. Trace her journey from young girl to queen enthralled with a new husband, to grieving matriarch and ruler of a vast empire.
Included in the exhibition are iconic, impressive, beautiful and often deeply personal objects, from Victoria’s simple white silk wedding gown, to the dolls she made, dressed and named as a little girl.
Victoria and the people who surrounded her tell this story: excerpts from her journals, letters and reports from contemporary commentators give insight into the extraordinary life of the woman whose name defined an age.