Glorious Years: French Calendars from Louis XIV to the Revolution
22 March – 29 October 2017, Wed-Sun, Waddesdon Manor
A celebration of the power of the printed image before photography, Glorious Years is an exhibition of 26 rare French calendars, never before seen on public display. This exhibition charts the evolution of these calendars (originally named ‘almanacs’) from their golden period under Louis XIV, through to the Revolution, when time itself was re-invented.
Published in Paris in the 17th and 18th centuries, these striking prints featured major events, from royal weddings and births to victorious battles and peace treaties. At a time when the printed image was the most effective communicator, calendars were designed to both educate and delight. Glorious Years will examine how and why these prints were made and their role in propaganda, revealing much about the social, political and artistic world of the Old Regime.
As well as large single-sheet printed calendars, a number of bound pocketbook almanacs will also be on display. These small volumes were popular in the late 18th century, varying hugely in content. Ranging from official directories, listing members of the royal households, schedules for the postal service and carriage travel; to collections of songs, poems and illustrations. Some even included erasable paper for notetaking and recording gambling-related gains and losses. Not unlike modern-day smart phones, these conveniently sized pocketbooks were portable and perfectly suited to inform, distract and amuse.
Despite their popularity, these calendars have not survived in great numbers, making Waddesdon’s collection unique in the UK. Baron Ferdinand de Rothschild (1839-1898) was fascinated by social history and collected these calendars alongside other printed ephemera, such as trade cards and lottery tickets. The calendars on display have been conserved, remounted and digitised. They will be available to browse on the website.
The Londoners: Portraits of a Working City, c1447 to 1980
Until 5 July 2017
This free exhibition, at London Metropolitan Archives(LMA), comes face to face with London's past.
Hundreds of thousands of faces - images of born Londoners and more transient visitors - are preserved forever in the LMA collections.
From Lord Mayors to chimney sweeps, waitresses to wrestlers, London has increasingly been a magnet for those looking for work. Some jobs appear strangely familiar, miraculously little changed across more than five centuries, while others are more or less a mystery to all except their practitioners.
Images of working Londoners capture the strangeness and the familiarity, the toil, flair and sheer vitality of work in London.
Winners, losers, the famous or the forgotten, countless Londoners have been recorded as they went about their daily work in the capital. From fifteenth century drawings to colour photographs, the archive brings them all together and presents them as the history of our capital city.
The Fan Museum begins the year with a sumptuous display of fans decorated with biblical subjects. Fittingly, the opening segment of the exhibition features folding fans painted with the story of Adam & Eve; juxtaposing an eighteenth century design with the work of a contemporary fan painter illustrates how stories from the bible have fascinated artists throughout history.
The display of over eighty fans touches upon many of the bible’s significant episodes and includes interpretations of the Finding of Moses, Abraham sacrificing Isaac and The Visitation.
Eighteenth century fans feature prominently within the display and show fan painters reinterpreting master paintings and widely circulated engravings by Rubens and others to fit the fan format. At a time when art reflected social and cultural mores, fans decorated with episodes from the bible encompass spiritualty, enlightenment and other worldly concerns which remain relevant to modern society.
A new exhibition celebrating 250 years of the jigsaw puzzle, the largest of its kind ever shown, will open at The Museum of Brands, Packaging and Advertising.
The jigsaws in the exhibition reflect the social history of Britain over the past 250 years, celebrating royal occasions and exhibitions, new forms of transport and technology, wars and battles, film stars and radio personalities, television programmes and pop stars. The exhibition features 250 jigsaws dating back to 1766 when the earliest ‘dissected puzzles’ (as they were known) - were made by mapmakers as educational aids for children of the upper classes.
Initially, jigsaw puzzles were hand made from wood and only the rich could afford them. It was during the early 20th century that cardboard jigsaws were introduced making them more affordable. As there was rationing of card in the Second World War jigsaws became smaller and the card thinner, but they were seen as moral boosters for the nation.
When in the early 20th century the more economic cardboard jigsaw began to take over from wooden ones, it wasn’t long before promotional examples made their appearance amongst an increasing variety of advertising gimmicks. A further hundred examples of this marketing medium are also on display.
Image: Grocer's Shop teaching jigsaw - "Teaches spelling of many household words"
Until 31 March 2017
The Oxford English Dictionary defines radical as ‘advocating thorough and far-reaching political or social reform… characterized by independence of or departure from what is usual or traditional’.
In Great Britain, the word has the further association with the late eighteenth - and early nineteenth-century’s Liberal Party’s stance on reform of society and Parliament.
The collections of Senate House Library include collections of those who defined themselves as radical in the specific late eighteenth- and early nineteenth-century British sense, as well as those who more generally advocated for societal improvements through reform. Senate House Library has organically developed into a hub for collections of radical voices of the nineteenth and twentieth centuries.
The collections not only sheds light on enormously influential but subsequently neglected figures, campaigns and organisations, but also on the University’s own institutional history, and potential futures.
More details about this free exhibition and associated events.
Are you a Scrabble Champion? A wannabee Chess grandmaster? Or a Monopoly megalomaniac? Game Plan: Board Games Rediscovered will celebrate the joy, excitement and occasional frustration of playing board games.
This exhibition includes some of the most iconic, enthralling and visually striking games from the V&A’s outstanding national collection of board games. Alongside current family favourites such as Cluedo and Trivial Pursuit, and traditional games like chess, the exhibition will look at historical board games including The Game of the Goose and other beautifully designed games from the 18th and 19th centuries.
Board games are played by everyone, young and old. They have a universal appeal that transcends cultural and language barriers. They can both teach and entertain us. The playing of board games is embedded into our culture, not just the games themselves but the act of playing, the interaction with family and friends, the lessons to be learned and the fun to be had.
The exhibition will include more than 100 objects, featuring games from around the world, and explores the important role of design. Throughout the exhibition, selected games of special interest are highlighted with more detailed information on their history and influence.
IWM North, part of Imperial War Museums in Manchester, presents this major exhibition marking the 75th anniversary of clothes rationing in Britain.
During the Second World War British men and women had to find new ways to dress as austerity measures and the rationing of clothes took hold. They demonstrated amazing adaptability and ingenuity
by adopting more casual styles and by renovating, recycling and creating their own clothes.
Bringing together 300 exhibits including clothing, accessories, photographs and film, official documents and
publications, artworks, wartime letters, interviews and ephemera, some of which have never been on display before, Fashion on the Ration presents a sense of what life was like on the home front for
men and women during wartime Britain.
This exhibition explores the many, often surprising, aspects of Queen Victoria’s character: devoted wife, dedicated mother, devastated widow and powerful stateswoman.
Follow Victoria’s story from the room in which she spent her first moments as queen. Trace her journey from young girl to queen enthralled with a new husband, to grieving matriarch and ruler of a vast empire.
Included in the exhibition are iconic, impressive, beautiful and often deeply personal objects, from Victoria’s simple white silk wedding gown, to the dolls she made, dressed and named as a little girl.
Victoria and the people who surrounded her tell this story: excerpts from her journals, letters and reports from contemporary commentators give insight into the extraordinary life of the woman whose name defined an age.