Take a break from Christmas shopping when
you're in the great metropolis this December.
Drop by fashionable Bloomsbury where you
will discover the genteel and lovable art of
collecting printed and handwritten ephemera.
Divorced from the distractions of the world
you will find rare, unusual and historic paper
items, priced from £2 to over £2000.
offers a window into the past for both the
curious and the collector amongst us.
Rest your gaze upon the dealers’ tables which
groan under the weight of accumulated history,
the collecting of which heartens and sustains
brave men and women.
All are welcome to what
promises to be a memorable and enjoyable day - all this for just three little pound coins! Isn't civilisation wonderful?
Holiday Inn London Bloomsbury
London WC1N 1HT
Entry £3 · 11am - 4pm
Members from 10am with membership cards
Bloomsbury Ephemera Fair
24 September 2017 · 9.30 until 3pm
The fair will include a fantastic mix of dealers in books, ephemera, maps, prints, posters and postcards and more across the whole of the Galleon Suite.
Held each autumn in the beautiful and historic Chelsea Old Town Hall, the Fair brings together more than 80 exhibitors specialising in antique books, first editions, maps, prints, ephemera and manuscripts from all over the world.
Prices begin at just a few pounds and dealers are happy to guide you, making this an accessible and exciting venue for beginning collectors or those simply looking for an extra special Christmas gift.
Until 17 November 2017 · National Library of New Zealand
Permission to interview the Beatles, a tender message from the Western Front, an offering of choice at dinner, or an expression of outrage at discrimination. These small but effective pieces of ephemera, produced for short term use, have helped shape the lives of their owners, nurtured circles of friendship, allowed privileged entrée to rarefied company, argued for principles, persuaded and promoted, guided consumers, or rewarded merit.
Some became treasured keepsakes, while some survived more by chance than design; perhaps their small size helped them survive in a dark and neglected corner. Indeed one small card was discovered in the wall of a house more than 60 years after the event it advertised. And some have suffered damage such as a little invitation to a Wellington roller skating rink.
Luckily, all have become part of the National Library Wellington Ephemera Collection, and now have a different life, as testimony and evocation of past times. Some were likely produced in small numbers, while others have been published in their thousands. Whatever their past status they are now kept in perpetuity for their documentary value. The exhibition shows the curator's choice of 100 small objects, all measuring less than 150mm. In some, you can see how the publishers have used the latest design trends and typographic styles to appeal to their audience by visual means. Others are plain and functional.
Barbara Lyon, curator of this latest Turnbull Gallery exhibition, explains: "The exhibition should cast light on the corners of the minutiae of everyday life...items like these shed light on commonplace little things in popular culture that you don't think about keeping, and they're very familiar to you at the time. When you look back, you remember them. The exhibition draws together items that are physically small but valuable because they illuminate our history in a way that other objects don't."
The curtain has lifted on this new exhibition from the London Metropolitan Archives which uncovers the lives of performers on the London stage, from the days of Elizabethan theatre to the 20th century.
Original records that document the successes of some of London’s most celebrated performers will appear alongside workhouse records, court registers and other sources. From Shakespeare’s forgotten brother to Charlie Chaplin and the stars of Music Hall, Life on the London Stage will delve into our and present a fascinating record of the lives of London’s entertainers.
Graham Packham, chairman of the City of London Corporation’s Culture, Heritage and Libraries Committee, said:
"Some surprising finds and extraordinary stories have come to light during the LMA’s research for Life On The London Stage, including how Edmund Shakespeare, of whom many of us know nothing, followed his older brother to London to work as an actor. Visitors will also learn about the houses owned by Nell Gwyn, one of London’s greatest rags-to-riches stories; how music hall star, Marie Lloyd, alarmed the authorities with her routines; and Kenneth Williams’ advice about how he dealt with school bullies."
Image: Detail from ticket for Mr Grimaldi's Night, Sadlers Wells, 1814
World War Ireland
In summer 1914 a war broke out in Europe that would change the world forever. In Ireland, many supported the cause and joined up or travelled to serve in nursing and auxiliary services. Others objected to the war on moral, social or political grounds. By the time the conflict ended in 1918, its impact had been felt through the length and breadth of the country.
World War Ireland is a free exhibition at the National Library of Ireland(NLI) that focuses on the unique aspects of the Irish WWI experience and draws on the NLI's collections of letters, diaries, recruiting posters, newspaper reports, cartoons, handbills and leaflets dating from 1914-1918.
With original artefacts, first hand personal accounts and eyewitness testimony, World War Ireland brings visitors dramatically inside the lives of those who experienced WWI.
Street Fans: A Unique Liaison between Street Art & Fan Making
Opening 19 September 2017
An international cast of street artists including RUN, C215, Nathan Bowen, Dale Grimshaw, Zabou & Sr.X are teaming up with fan maker extraordinaire, Sylvain Le Guen in a bid to reinvigorate the craft of fan
making, cited by the Heritage Craft Association as at ‘serious risk of no longer being practiced.’ The fruits of the collaboration – fifty original folding fans – are set to enliven The Fan Museum’s elegant Georgian
interiors from September 19.
At different times throughout the
exhibition run visitors can get up close
and personal with some of the street
artists participating in the project,
who’ll be occupying the galleries and
making new works in response to the
displays. The Museum’s expert fan
making tutors will also be in residence
encouraging visitors to try fan making
for themselves. Check the Museum’s
website for a schedule of events.
The Land without Music: Satirizing Song in Eighteenth-Century England
Until 29 September 2017
Music pervaded public and private spaces in eighteenth-and nineteenth-century England; yet, in 1904, German critic Oscar Adolf Hermann Schmitz, heightening long-standing aspersions, dismissed England as a “land without music.” This unflattering epithet pointed to England’s meager contributions to the western musical canon during the eighteenth and nineteenth centuries—no English Gluck, Mozart, or Verdi; no English operatic or symphonic tradition that could rival those that flourished on the continent.
The English, critics like Schmitz suggested, were importers rather than producers—tasteless consumers and dilettantes rather than discerning, proficient practitioners. This view did not originate with continental nationalists; in the eighteenth century the English often presented themselves as uniquely unmusical in print and in visual satire.
At once self-effacing and boastful, this representation asserted a national character too sensible, too chaste, too sober to permit the excesses of musical genius. Bringing together satirical prints and documents pertaining to English music makers and listeners, this exhibition explores English attitudes toward music as lascivious, feminine, foreign, frivolous, and distinctly un-English.
This exhibition features approximately 50 posters by the five grand masters of the medium: Jules Chéret, Eugène Grasset, Théophile-Alexandre Steinlen, Henri de Toulouse-Lautrec, and Alphonse Mucha.
The posters date from 1875 to 1910, the exuberant era in France known as the Belle Époque. These pioneering artists reigned in Paris during this period of artistic proliferation, defining a never-before-seen, and never forgotten, art form.
Drawn from the Driehaus Collection of Fine and Decorative Arts, the posters on view feature such iconic images as Steinlen’s Le Chat Noir and Lautrec’s Moulin Rouge: La Goulue. Each of the five artists will be featured in one of the period galleries in the Museum, allowing guests to explore the artists’ individual style and compare them with their contemporaries.
Girl power comes to Covent Garden when Poster Girls - a major new exhibition about 20th and 21st century female graphic artists opens at the London Transport Museum in the autumn of 2017.
Poster Girls will highlight some of the key female artists who have designed for London Transport and Transport for London including Dora Batty, Herry Perry, Laura Knight, Anna Zinkeisen, Margaret Calkin James and Freda Lingstrom.
The artists and featured work will be examined and contextualised by both the era in which they lived and worked and their style, looking at influences both from within the design community and from the wider world.
As well as stunning original posters from London Transport Museum’s collection, Poster Girls will include accompanying material such as letters, ceramics, photographs and original artworks.
When the United States entered World War I in April 1917, New York City's artists and illustrators were enlisted in the war effort. Many of them worked for the federal government’s new Division of Pictorial Publicity.
Posters and Patriotism: Selling World War I in New York examines the outpouring of posters, flyers, magazine art, sheet music covers, and other mass-produced images created by these New Yorkers to stir the American public to wartime loyalty, duty, and sacrifice.
From the outbreak of the European conflict in 1914, however, New York had also been a city at war with itself—a place where debates about ethnic and racial loyalty, pacifism, the right to side with France, Belgium, and England or Germany, and the very meaning of patriotism spawned impassioned art for a mass audience.
In rediscovering a wartime dialogue between images of conformity and dissent, Posters and Patriotism showcases over 60 examples from the World War I poster collection donated to the Museum by railroad executive and financier John W. Campbell (1880-1957) in 1943, most being exhibited for the first time, as well as the work of defiant artists in such colorful publications as The Masses, The Fatherland, and Mother Earth.
Image: detail from poster by James Montgomery Flagg (1877-1960), I Want You for U.S. Army, c. 1917 Museum of the City of New York, gift of Mr. John W. Campbell
Glorious Years: French Calendars from Louis XIV to the Revolution
Until 29 October 2017, Wed-Sun, Waddesdon Manor
A celebration of the power of the printed image before photography, Glorious Years is an exhibition of 26 rare French calendars, never before seen on public display. This exhibition charts the evolution of these calendars (originally named ‘almanacs’) from their golden period under Louis XIV, through to the Revolution, when time itself was re-invented.
Published in Paris in the 17th and 18th centuries, these striking prints featured major events, from royal weddings and births to victorious battles and peace treaties. At a time when the printed image was the most effective communicator, calendars were designed to both educate and delight. Glorious Years will examine how and why these prints were made and their role in propaganda, revealing much about the social, political and artistic world of the Old Regime.
As well as large single-sheet printed calendars, a number of bound pocketbook almanacs will also be on display. These small volumes were popular in the late 18th century, varying hugely in content. Ranging from official directories, listing members of the royal households, schedules for the postal service and carriage travel; to collections of songs, poems and illustrations. Some even included erasable paper for notetaking and recording gambling-related gains and losses. Not unlike modern-day smart phones, these conveniently sized pocketbooks were portable and perfectly suited to inform, distract and amuse.
Despite their popularity, these calendars have not survived in great numbers, making Waddesdon’s collection unique in the UK. Baron Ferdinand de Rothschild (1839-1898) was fascinated by social history and collected these calendars alongside other printed ephemera, such as trade cards and lottery tickets. The calendars on display have been conserved, remounted and digitised. They will be available to browse on the website.
This exhibition explores the many, often surprising, aspects of Queen Victoria’s character: devoted wife, dedicated mother, devastated widow and powerful stateswoman.
Follow Victoria’s story from the room in which she spent her first moments as queen. Trace her journey from young girl to queen enthralled with a new husband, to grieving matriarch and ruler of a vast empire.
Included in the exhibition are iconic, impressive, beautiful and often deeply personal objects, from Victoria’s simple white silk wedding gown, to the dolls she made, dressed and named as a little girl.
Victoria and the people who surrounded her tell this story: excerpts from her journals, letters and reports from contemporary commentators give insight into the extraordinary life of the woman whose name defined an age.